
"Fire Country"
Written by Jessica Chisum | Directed by Helen T. Mariam
During the largest forest fire in the history of Washington state, a tech giant’s best-laid schemes come to a screeching halt. A CEO is missing in the wilderness, and the man who saw him last speaks only in riddles. As the fires loom on the horizon, a young biologist tracks a lone wolf searching for answers.
Inspired by the legend of Remus and Romulus and the founding of Rome, Fire Country explores the fantastical elements of the myth in a realistic setting.
Featuring Bob Downing, August Luna, Kelly Merdinger, Merri Ann Osborne, and Ezra Parker,
Tickets are Pay-What-You-Will. Performance on Zoom; post-show talkback for the playwright on Zoom.
This production of “Fire Country” is part of TSGP’s on-going series of developmental play readings on the Zoom platform, providing expanded opportunity for underheard voices and stories in theatre.
Details at https://www.shatteredglassproject.org/fire-country

Navigating the Playwright-Director Relationship
How do playwrights get a new play on stage? What do directors do to make a new script come to life?
A robust discussion of the creative process between the primary creative decision-makers for any theatrical endeavor: the playwright and the director. Led by playwright Alma Davenport, founding artistic director of Brown Soul Productions, a group of 8 playwrights and directors will respond to burning questions, crafted by the cohort members of the 2021 TSGP Incubator/Mentor, about their working relationships. Live streamed on YouTube. The recorded panel will be available after the event. Pay-What-You-Can tickets. More information at https://www.shatteredglassproject.org/playwright-director-relationship

Much Ado About Nothing
Set in the present day, this classic tale is flipped on its head to examine love and trust, truth and lies and fake news, and unwilling middle-aged romance through the unsparing lens of the digital camera.

Much Ado About Nothing
Set in the present day, this classic tale is flipped on its head to examine love and trust, truth and lies and fake news, and unwilling middle-aged romance through the unsparing lens of the digital camera.

Much Ado About Nothing
Set in the present day, this classic tale is flipped on its head to examine love and trust, truth and lies and fake news, and unwilling middle-aged romance through the unsparing lens of the digital camera.

Loom
“Sisters of destiny, pardon my intrusion. I don’t suppose you’ve noticed anything...out of the ordinary...taking place?”
The Queen of the Dead is missing. The Fates must solve the mystery of her disappearance. Their own immortal relationship as sisters is also at risk. Can they bring back the QOTD to her quarreling mom and spouse before the dead overwhelm the world of the living? Can Atropos prove her worth? Can Clotho live her dreams? Can Lachesis get everyone to just calm down and follow the rules? Join us for answers to these questions and so very much more.
Written by Carolynne Wilcox. Directed by Rebecca O’Neil
Tickets on sale now. All tickets are PWYW.
Details at https://www.shatteredglassproject.org/loom
There were
There are
There will be
three conjoined sisters
Whom Erebus begat on Night,
Who dream for men at birth evil and good to have

All New Cells
“‘The Care and Keeping of You’ never prepared me for creeping existential dread.”
Trigger warnings: suicide, child sexual abuse, transphobia
When Nils's ex-girlfriend dies suddenly, she drags him back into a toxic online roleplay scene he swore he'd never return to. He'd been doing okay sticking to his seven-year plan for getting over their breakup - but now, everyone either blames him or expects him to have answers, and he's getting nasty anonymous messages that might be coming from beyond the grave. A nuanced examination of identity, trauma, assault, grief, and mental health through an online world.
Written by Aliza Goldstein. Directed by Alison Kozar.
Tickets now available for both dates, February 26 & 27, 2021. All tickets are PWYW.
Details at https://www.shatteredglassproject.org/all-new-cells
Nils:
You’re you
at the end of everything
you’re still you
just
a better
truer
you
Moody:
But how do I become that person?
Where do I even start?

All New Cells
“‘The Care and Keeping of You’ never prepared me for creeping existential dread.”
Trigger warnings: suicide, child sexual abuse, transphobia
When Nils's ex-girlfriend dies suddenly, she drags him back into a toxic online roleplay scene he swore he'd never return to. He'd been doing okay sticking to his seven-year plan for getting over their breakup - but now, everyone either blames him or expects him to have answers, and he's getting nasty anonymous messages that might be coming from beyond the grave. A nuanced examination of identity, trauma, assault, grief, and mental health through an online world.
Written by Aliza Goldstein. Directed by Alison Kozar.
Tickets now available for all dates - February 26 & 27, 2021. All tickets are PWYW.
Details at https://www.shatteredglassproject.org/all-new-cells
Nils:
You’re you
at the end of everything
you’re still you
just
a better
truer
you
Moody:
But how do I become that person?
Where do I even start?

Familiar Kill
““Earl, I gotta know you’re with me, ‘cause if you’re not, then I got nothin’.””
Poverty, passion, and a plot against the parents tangle with the next-door neighbor in this new play by Seattle playwright Barbara Lindsay. Warning: storyline contains sexual content.
Directed by Maureen Hawkins. Featuring Kathy Hsieh as Ruby; Ronnie Hill as Earl; and Molly Hall as Janelle..
Tickets are now on sale. All tickets are PWYW.
Details at https://www.shatteredglassproject.org/familiar-kill
“She makes me feel nine feet tall, ya know? Like I’m the only guy was ever good to her. Like I’m the only guy she ever loved. Believe me, Ruby and me, we’re fine.”
“I hate to think of any creature alone or mistreated. If I could, I’d have a great big farm and take in every animal I could find, the weak and wounded especially.”