Centering the creative development of women, non-binary and trans playwrights through workshop rehearsals and performances of new plays, the Script Development Workshops provide opportunities for playwrights to see their scripts move from words on a page to life.

Plays in Progress

January-May 2025

A Monthly Series of Script Development Workshops Capped with Staged Readings

Includes

Intended for

  • Complete scripts which have been through a more extensive artistic development process and would benefit from a public performance.

  • Scripts which have received a full production or which are currently being workshopped by another company are not eligible for this program.

How to Submit a script

  • Click on button below

  • Upload 10 page script sample with cover sheet including contact information (PDF Format only)

  • Tell us about your goals for yourself and your script!

Interested in Directing? Applications for directors are welcome - see below.

Objectives for this format

The staged-reading format offers the playwright an opportunity to:

  • learn how their script is handled in a basic production format by a director and cast.

  • collaborate with a director and cast to answer questions and guide the interpretation of their script.

  • witness the impact on their story of minimal production elements, as determined by the director.

  • evaluate the impact of their story through feedback from audience members as well as other theatre artists.

  • receive usable inquiry-based feedback through facilitated feedback discussions.

  • build connections with Seattle-based directors and actors.

Application deadline: October 30, 2024

 
6_Familiar Kill -pl.Barbara Lindsey-dir. Maureen Hawkins - 01-22-2021.jpg

Zoom-based Play Workshops

Plays which are not selected for the Plays in Progress 2025 series may also be eligible for this Zoom-based reading process

Includes

  • A director and up to 4 actors who receive small stipends.

  • 2 rehearsals, one week apart, allowing for rewrites.

  • 1 full private readthrough following the 2nd rehearsal.

  • On the Zoom Meeting platform

Intended for

  • Complete scripts which would benefit from a more extensive artistic engagement beyond a simple table reading.

Objectives for this Format

The workshop format goes one step beyond the standard table reading, offering the playwright the opportunity to:

  • hear their script aloud;

  • observe how other theatre artists understand and interact with their story and the characters within the story; and

  • spend a week engaged in an intensive rewriting process based on insight from the rehearsals and feedback from other theater artists.


Directors for Plays in Progress 2025

While the primary focus in this program is on the playwright, the Script Development Workshops of both types offer an opportunity for current and emerging directors to practice their skills in a collaborative environment.

Director’s Responsibilities

  • Preparation, Rehearsals and Casting: Directors are asked to read the script and to make any of their own usual preparations for directing in terms of script analysis; to assist the producer with casting; and to assist the producer in scheduling the Zoom read-through and the rehearsals during the week of the workshop. Directors are also asked to review the basic CRP outline, to have a sense of the feedback process that will be followed; directors will be part of the response group after the performance of their script.

  • Meetings: TSGP will schedule at least one Zoom meeting prior to the workshop including one team meeting between the playwright and their director to allow the director to ask questions and talk with the playwright about their script and their goals.

  • Deadlines: Following the Zoom-based readthrough, the playwright will have an opportunity to revise their script. The due date for submitting the script which will be used for the workshop will be no later than two weeks prior to the beginning of rehearsals, to allow the director sufficient time to prepare.

How to apply:

  • Click on the button below

  • Upload PDF copy of directing resume

  • Respond to the following questions:

    • Tell us about your rehearsal process as a director working with new scripts and playwrights. How do you approach a new script? What is your favorite question for a playwright? (2 or 3 paragraphs)

    • Many of the scripts submitted to TSGP are stories centered on trauma of different kinds, including racial, sexual, and gender-based. Tell us about your experience (as a director, an actor, a stage manager or other creative role) working with actors on scripts where characters have experienced trauma or where the story told is difficult or emotionally draining. How have you led a rehearsal or resolved such situations?  (2 or 3 paragraphs)

Past Script Development Workshops:

January 2021 - Familiar Kill by Barbara Lindsay (renamed Want, produced by TSGP August 2022), directed by Maureen Hawkins

February 2021 - All New Cells by Aliza Goldstein (produced by TSGP June 2023), directed by Alison Kozar

February 2021 - Leal’s Last Stand by Suzanne Baillie, directed by Alma Davenport (Zoom-based reading - no public performances)

March 2021 - Loom by Carolynne Wilcox, directed by Rebecca O’Neil

March 2022 - Privileged by Alma Davenport, directed by Sandra L. Holloway (Zoom-based reading - no public performances)

April 2022 - Fire Country by Jessica Chisum, directed by Helen T. Merriam

March 2023 - Rockhound by Karen Saari, directed by Cindy Geise French

March 2023 - A Lonely Realization created, directed and performed by Darby Sherwood and Emily Stone

September 2023 - A Witness by Jordan Elizabeth Henry, directed by Rebecca O’Neil